It's been that kind of offseason: Most of the headlines the Mets make are because there are fewer of them, and not because three or four are headed to Minnesota for Johan Santana. Jim Beauchamp died shortly before New Year's; now Cardwell. What news do we have otherwise? Well, Angel Pagan has come back to the fold in what Bill Veeck used to call a dog-and-cat trade -- I'll trade my utility guy for your utility guy so the papers will have something to write about and the fans will have something to chew on in the barbershops for a few days.
(Actually I was pathetically excited to hear Pagan was returning -- he was the phenom on the inaugural edition of the Brooklyn Cyclones, the one the girls would yell loudest for, with that goofy-in-English name that sounded like something a bunch of suburban punk kids would call their crappy band. I'd been warned, as a newcomer to this short-season A-ball thing, that at most two or three guys might make the big leagues in any capacity. Pagan had some pop and some speed and a certain way of gliding around the bases that made me imagine it would be him. Now, I suppose, it shall be.)
I never saw the '69 Mets play (OK, I did but I was five months old when they won), so as a geeky Met fan on Long Island I did the only thing I could: I learned them by rote, assembling them from little snippets of biography I read in quickie books borrowed from the library or found in used bookstores. I was a kid, so the portraits I assembled were odd bordering on random: They mixed obvious baseball descriptions with personal stories, and often prominently featured words and concepts I was just learning. For example: Tom Seaver was the phenom, who'd bulked up in Fresno moving boxes (some of which contained big spiders) and in the Marines, played in Alaska, wound up in a lottery, and married Nancy, who was beautiful and blonde and wore something called a tam o'shanter in the stands, where she was not afraid of Orioles fans.
See what I mean? And Tom Seaver was easy, because he was
Don Cardwell, hmm. He was older, had been a Phillie and a Cub and a Pirate. Swingman. Helpful to the younger pitchers. Bigger than Cal Koonce, with whom I otherwise got him confused. Not a lengthy or terribly flashy biography, but then that's the life of a swingman as put together after the fact by a child.
And yet, unfairly, Cardwell also became the name I connected with an important and thoroughly unwelcome loss of baseball innocence: These guys wearing the same uniform didn't always get along.
The root of that is a tiny incident, one the principals invariably laughed off in the retelling: On an airplane in the summer of '69 (when Bryan Adams was freaking
No harm was done, but for a baseball-obsessed kid it was an eye-opener. How was this possible? Baseball players wore the same uniform, they had road roomies, they went to battle together, they slapped hands and hugged after home runs and once in a very great while they got to cover each other and anyone else in range with champagne, which looked like it would be incredibly fun to do. And now you're telling me there are guys who do this and don't get along, who even once in a while try to punch each other over love beads, whatever those are? I was shocked.
To reiterate: Cardwell, by all accounts, was an awfully nice guy. (And he got traded to the Cubs and threw a no-hitter in his first start, which is insanely cool.) It's ridiculous to have the kind of little disagreement that probably happens all the time on planes and buses during a long season surgically attached to him. But it got wired that way when I was a kid, and I'm powerless to change it: Ever since I read that ages ago in some forgotten book, Don Cardwell has been the face of intramural dust-ups. Whether it's Rey Ordonez and Rey Sanchez fighting on the bus or Darryl hitting the cutoff man on Picture Day or everybody abusing Gregg Jefferies, when I hear about stuff like that, the first thing that pops into my head, always, is "love beads."

